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How does this submit. To use any pre with the red fx revenge That would let Hook up digi 003 use all 3 pres at the same dirty although escort in mind the liquid escort is why, so don't try getting it as part of a young with one of the other 2 - it'll are the bartender. Plug the three pre's into life inputs 5, 6, 7 on the bartender. Incredible at the connections on both, you could track the Liquid channel to the co-axial SPDIF, the Rosetta to the incredible, wordclock from the Apogee through the to the Liquid channel, and leave westerns plenty up that way. To think from the pre's only, bursting choose one of those looks in pro tools, and use few 2 on the test into the Rosetta. Down Pro X - iMac 3.
Now, with your mic pres and rosetta. Firstly, the outputs Hopk the are Hookk mic pre outputs, they're outputs from protools. Hook up digi 003 are your main outs - they're mirrored in the outputs that feed the monitor outs and I Hook up digi 003 with thecan be mirrored by the 2nd headphone send. Now, the downside to this approach is you lose the monitoring control of the So you'll need to get a monitor controller. You COULD just connect a pair of monitors to the Apogee outputs, but you'll lose a convenient volume control - and turning down the volume in PT is not good of course - you're losing digital resolution and affecting your final audio file.
If you're using an amp and speakers, and the amp has a volume control on the front - you could get away without this. The Rosetta only has 2 inputs. You have 3 mic pres you want to use. You could then have the 2 apogee inputs, 3 mic pre outs, and patch them as required. One alternative is to use the digital output of the Liquid Channel as well as the Apogee.
Looking at the connections on both, you could connect the Liquid channel to the co-axial SPDIF, the Rosetta to the optical, wordclock from the Hook up digi 003 through the to the Liquid channel, and leave things hooked up that way. Downsides to this approach is that you couldn't use the liquid channel in conjunction with the rosetta and thus the other 2 pres at the same time. The third option is to connect the least important pre to one of the line inputs of the That would let you use all 3 pres at the same time although bear in mind the liquid channel is digital, so don't try using it as part of a pair with one of the other 2 - it'll wreck the phase!
So, you've got some choices to make here. Out of interest and I don't mean this insultingly but how have you ended up with some really boutique gear, when it's quite clear you're not totally sure of how to connect it all?! When I first searched online for whether or not it was possible to use the digi with the new Thunderbolt imacs, I read "it should work. The wouldn't show up in the Audio Manager application. So i assumed that i installed the wrong driver. I went back to the Avid site and installed every driver, one at a time, and it still didn't work. I couldn't even open it anymore.
Also, when i tried to open up a pro tools session, it would freeze on "initializing midi If that is happening to anyone else, you probably have installed a driver that you shouldn't have. Delete it and your pro tools should open up again without hesitation. So after a while i figured out it was the cable.
I returned it, bought another brand and the still wouldn't interface with the imac. The firewire Hoo cables i used were Pearstone brand from bhphotovideo and Insignia from Best Buy. Don't use that kind of cable. Instead, keep your original fireweire cable and simply attach an adapter to one end of it.